In 19th-century Paris, the Académie des Beaux-Arts defined what counted as legitimate art. Realism, the prevailing standard, emphasized precision and visual accuracy. Success was based on how well you aligned with these norms. The system rewarded consistency, not experimentation.

Photographic advances in the 1830s and 1840s began to challenge this standard. At first, photography seemed like a threat to painters. If a machine could record the world more precisely and more quickly than a human hand, what role did painting have? But over time, photography freed painting from its representational obligations. Painters no longer had to compete with the camera in copying reality. Instead...

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