How to Turn a Flat, Noisy RAW Into a Finished Milky Way Photograph

The Milky Way that arched over the Tetons looked nothing like the RAW file that came home. At two in the morning, on Matt Suess’ camera, it glowed. On his computer the next day it was flat and gray, the core buried in noise, the color drained out. Every photographer who has pointed a camera at the n…

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