I Saw ‘One Battle After Another’ Six Times in Six Formats in Six Days
indiewire.com·2w
🐌Slow Cinema
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A House of Dynamite (2025)
babuexportcompany.com·1w
🎬Underground Cinema
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Documentary argues George Orwell's greatest fears are materializing
pbs.org·1w·
Discuss: Hacker News
🌱Regenerative Journalism
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Werner Herzog has no patience for “accountant’s truth.” He's seeking a truth much grander, “ecstatic truth”
thebaffler.com·1w
🌱Regenerative Journalism
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My 2025 Q3 Highlights: Favorite Books and Movies
mertbulan.com·3w
📝Blogrolls
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The Guide #214: Sleep-inducing songs and tranquilising TV – the culture that sends us to sleep (in a good way)
theguardian.com·3d
🐌Slow Cinema
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When Objects Dream:Man Ray at The Met in New York
aestheticamagazine.com·6d
🌍World Cinema
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Spill the tea! Jarman award nominees on tour – in pictures
theguardian.com·5d
🏳️‍🌈Queer Cinema
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10 Art Books to Read This Month
hyperallergic.com·1w
🎭Underground Culture
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Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying
theguardian.com·2w
🏳️‍🌈Queer Cinema
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Arts and Crafts Democracy
daily.jstor.org·3w
🤝Food Cooperatives
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Compilation of the Week: The Sheer Action Of Fini Tribe – 1982-1987
thequietus.com·2w
🎛Deconstructed Club Music
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This vibrant new show captures the dynamism of the male form
dazeddigital.com·3w
🎭Arthouse Cinema
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Psychoanalyzing Desire With a Spam Bot
electricliterature.com·1w
💻Queer Women Online Culture
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Pencil power: the Indian creatives provoking change through illustration and design
itsnicethat.com·1w
🔨Constructive Journalism
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Man Ray’s Deadpan Wit on Display at the Met
newyorker.com·3w
🎭Underground Culture
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Exploring New Paths in Landscape-Based Art
hyperallergic.com·6d
🏙️Urban Exploration
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‘Verging on unwatchable’: Guardian writers on their most stressful movies
theguardian.com·2w
🎬Underground Cinema
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The Deutsche Börse PhotographyFoundation Prize Shortlist 2026
aestheticamagazine.com·4d
🏙️Urban Exploration
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‘Precarious, exhausting, and unfair’: How online censors stifle erotic art
dazeddigital.com·6d
🌐Digital Folklore
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