Collective ownership, Democratic media, Independent publishing, Community-owned platforms
Why visual journalism is so slow
nightingaledvs.com·2w
Creativity and Consumerism are Two Sides of the Same Billboard
electricliterature.com·2w
Accusing Someone of "Support[ing] Neo-Nazi Causes" May Be a Factual Assertion and Therefore Libelous
Read the Room, Reese
bookriot.com·1w
The B.C. Supreme Court’s recognition of Cowichan title is an invitation to enact transformative change
theconversation.com·1w
Online polling start-up invests in freelance video reporters
pressgazette.co.uk·5d
Lit Hub Daily: August 25, 2025
lithub.com·3w
Women Climate Activists: Stand Up To Your Debaucher-In-Chief
cleantechnica.com·4d
Why Can’t The US Learn To Love Clean Food?
cleantechnica.com·1d
The Noel Clarke judgment was a victory for the freedom of the press – but it should also act as a warning | Nik Williams
theguardian.com·1w
KOKO & Spiro Partnership Exemplifies Kenya’s Growing Clean Tech Ecosystem & Inherent Synergistic Effects
cleantechnica.com·1w
collaborative post - what motivates you to write for an audience?
blog.avas.space·1w
Tech companies are stealing our books, music and films for AI. It’s brazen theft and must be stopped | Anna Funder and Julia Powles
theguardian.com·5d
Interest Convergence, Intersectionality, and Counter-Storytelling: Critical Race Theory as Practice in Scholarly Communications Librarianship
inthelibrarywiththeleadpipe.org·3w
original ↗
manton.org·2w
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