Long before meteorology and climate science, Irish people looked to the natural world to forecast the weather and make sense of their surroundings. They read the skies, the seas and the behaviour of animals for signs of change: a halo around the moon meant rain was near; swallows flying low foretold a storm.

This weather lore – known as seanchas i dtaobh na haimsire in Irish – was grounded in generations of observation and shared through memorable sayings or rhymes. One familiar example is: “Red sky at night is a shepherd’s delight; red sky in the morning is a shepherd’s warning.” But weather lore is more than folklore. It is evidence of a society attuned to subtle environmental cues – what researchers now call traditional ecological or environmental knowledge.

Weather lore forms part of Ireland’s cultural heritage (dúchas) preserved in the National Folklore Collection, one of western Europe’s largest archives of oral tradition. Established in the 1930s and now digitised, it encompasses several compilations, including the Main Manuscript Collection of field-recorded folklore and the Schools’ Collection, gathered by schoolchildren from older generations. Together, these hold millions of pages of stories, customs and beliefs, among them thousands of weather sayings in both Irish and English.

Across the archive, weather lore highlights natural indicators – moon halos, sun colour, wind direction, animal behaviour – as clues to coming weather changes. Farmers timed sowing and harvesting, fishermen watched the skies before setting out to sea. Without barometers or technologically enhanced forecasts, people relied on sensory cues in the environment – shifts in colour, movement, sound, even smell. These observations were based on practical knowledge, honed over generations and patterns repeated nationwide.

In a Dublin Park, Light and Shade by Walter Osborne (1895). National Gallery of Ireland

Many stories of Irish weather lore have modern scientific explanations while others reflect superstition or coincidence.

Birds and animals: Cats turning their backs to the fire signalled a storm; dogs eating grass suggested rain. Swallows flying high meant fine weather, while low flight warned of rain. Seagulls coming inland foretold storm or rain. Foxes barking at night were said to herald dry weather.

Celestial clues: A “ring” around the moon was a classic sign of rain. Sunsets mattered too – red skies promised fair conditions, while coppery or yellow hues foretold rain. Twinkling stars were linked to frost or wind; shooting stars denoted dry weather (in Irish) or wind (in English). The Northern Lights were often interpreted as omens beyond weather, such as impending war.

House and hearth: The direction and behaviour of chimney smoke was also related to weather prediction. When smoke rose straight up, it signalled fine weather, but when it drifted downward or failed to ascend, rain or storm was expected. Blue flames in the fireplace meant storm or frost; falling soot signalled rain; damp hearthstones and cracking furniture were also read as warnings of unsettled weather to come.

Landscape and sound: Hills appearing “near” suggested rain, while seeming distant meant clear skies. Even sound carried meaning: when the rumble of a train or the roar of a waterfall sounded close, bad weather was expected; when distant, good weather was on the way.

Weather lore and cultural heritage

Weather shapes how we experience place, identity and memory. Weather lore carries cultural weight, being woven into everyday conversation, proverbs and poems and passed down through storytelling.

The Interior of a Cottage by William Mulready (1828). Royal Collection

Verses helped people remember patterns. An Irish folklore variant of a familiar rhyme appears in both the Irish and English languages: “A rainbow at night is the farmer’s delight; a rainbow in the morning is the farmer’s warning.”

These rhymes also acted as calendars, helping communities anticipate seasonal changes. For example:

January brings the snow

Makes us oft our fingers blow

February brings the rain

And thaws the frozen lakes again

These sayings reinforced continuity and belonging, with evident regional differences. In the west, Irish-language sources mention marine indicators – sea colour, foam currents, seals (known as mucaí mara, sea pigs) – and use vivid metaphors like the “moon lying on its back” or “clouds like Kerry mountains”. Off-shore island communities noted tides and coastal sounds.

In contrast, English-language sources from the mainland emphasise agriculture: soil moisture, crop cycles and harvest lore. Farmers watched trees and hedgerow plants – haws and sloes – for seasonal predictions: “Ash before oak, there’s sure to be a soak; oak before ash, there’s sure to be a splash.” “March dust” was like gold because dry conditions early in spring were believed to promise a bountiful harvest.

Irish folklore has long been studied for its historical depth, linguistic richness and cultural significance. Recent studies explore how this lore connects to heritage and environmental awareness. Interpreted today, weather lore is more than folklore. Researchers are now beginning to frame this as “weather heritage”.

In an era of climate uncertainty, Irish weather lore points to something we risk losing: the habit of paying attention to what nature is telling us.

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The climate crisis has a communications problem. How do we tell stories that move people – not just to fear the future, but to imagine and build a better one? This article is part of Climate Storytelling, a series exploring how arts and science can join forces to spark understanding, hope and action.

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