Unintended consequences can become indispensable — in architecture and in efforts to preserve life on Earth.

Conservation isn’t always about grand designs. Sometimes the most powerful tools are byproducts of other work — unintended consequences that become indispensable.

Think of the spaces that emerge between a dome and its arches. No one designs these triangles. They simply arise, an inevitable feature of the structure. Yet in the Basilica of San Marco in Venice, the Alhambra in Spain, or the Taj Mahal in India, these spaces are decorated with lavish mosaics of gold and glass, or with paintings and iconography so beautiful that they become the focal point of the entire building. They’re what biologists Stephen Jay Gould and Richard Lewontin called spandrels.

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