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106 posts in the last 30 days

Melvin Edwards, Sculptor of Searing “Lynch Fragments,” Dies at 88

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Reina Sofía’s Refusal to Loan Picasso’s Guernica Opens Old Political Wounds in Spain

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The Louvre is Still the World’s Most Visited Museum, 2025 Study Shows

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Hired Amid Great Fanfare, Patricia Marroquin Norby, Met’s Inaugural Curator of Native American Art, Quietly Left

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Trump’s $400 Million East Wing Ballroom Plans Temporarily Nixed By Judge

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Gallery Dedicated to Sculptor Ruth Asawa Will Open in San Francisco

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Who Are Biennials For? On Reaching New Publics

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Can the Biennial Serve a City, or Just “Big Art”?

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The Biennial as Art Form in an Age of Global Fatigue

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Biennials and the Environmental Cost of Global Art

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Jacob Lawrence and the Unfinished History of American Inequality

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Bettina’s Obsessive Geometries: The Search for a Fourth Dimension

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The Precarious Myth of the Biennial Artist

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How Vision Becomes Ideology: On Władysław Strzemiński’s Theory of Seeing

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Dialogues and Dreams

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Whither Biennials? On the Crisis of Global Art

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Hong Kong Auction Results Bounce Back With Big Wins for Christie’s, Sotheby’s and Phillips

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Participating Artists and Curators Push Back on Venice Biennale’s Relocation of Israeli Pavilion, Call for Exclusion of Russia, Israel, and US

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Steve McQueen Awarded $172,000 Erasmus Prize

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Philip Leider (1929–2026)

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