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195 posts in the last 30 days

The Absolute Hell of Watching a Movie at the Alamo Drafthouse in 2026

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‘The Christophers’ Review: Ian McKellen’s Best Screen Performance Since Gandalf Brings Some Much-Needed Life Back to Soderbergh’s Late Style

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What Should ‘Jury Duty’ Present After ‘Company Retreat’? We Have a Few Ideas

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‘Malcolm in the Middle: Life’s Still Unfair’ Is the Rare Revival That Provides Something New

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The WGA’s Tentative Deal Gets Writers a Big Boost with Healthcare — and Sets the Tone for the Other Guilds

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‘Thrash’ Review: Netflix’s Wild Shark Disaster Movie Is Dumb Fun Done Right

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‘The Pitt’ Production Team Tracks Every Sock, Every Empty Drawer, and It’s Why the Show Feels So Real

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‘Bunnylovr’ Review: It’s Hard Out Here for an Alienated Camgirl

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Veteran Screenwriter Ed Solomon Relearned All the Rules for Steven Soderbergh’s Two-Hander ‘The Christophers’

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Sundance Heads South: Festival Announces Lineup for Third CDMX Edition in Mexico

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The Final Season of ‘Hacks’ Goes Out on Its Own Terms in a Fantastically Funny Farewell

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Christopher Abbott Has Been Hollywood’s Best-Kept Secret for Over a Decade

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‘Outcome’ Review: Keanu Reeves Is a Troubled Movie Star in Jonah Hill’s Desperate and Unfunny Comedy About the Pain of Public Opinion

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Lower East Side Film Festival Will Celebrate 25 Years of ‘Ghost World,’ and Much More

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‘Ray Gunn’ First Look: Sam Rockwell and Scarlett Johannson Star in Brad Bird’s Long-Awaited Sci-Fi Noir

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‘You, Me & Tuscany’ Review: Here’s Your Next Airplane Movie

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‘Big Mistakes’ Review: Dan Levy’s Sloppy Netflix Series Can’t Overcome Its Own Unforced Errors

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Cannes Film Festival 2026 Lineup Revealed

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‘Steal This Story, Please!’ Review: Journalist Amy Goodman Is the Subject of a Glowing Doc That Should Rally the Converted

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‘The Boys’ Review: A Bloody, Brutal Final Season Goes Where Marvel Won’t

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