rogerebert.com — Scour · Scour

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37 posts in the last 30 days

Netflix’s “Beef” Returns with a Season as Twisted and Hysterical as the First

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“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas

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Capcom’s “Pragmata” is the Next Great Dad Game

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Double Indemnity movie review review:

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Chicago Critics Film Festival Lineup Announced, including Guests Olivia Wilde, Joe Swanberg, Dawn Porter, More

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Cannes Announces 2026 Program with New Films by Pedro Almodovar, Hirokazu Kore-eda, Asghar Farhadi, More

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Netflix’s “Big Mistakes” Starts Off Feeling Small but Settles into Its Best Self

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HBO’s “Euphoria” Feels as Lost as Its Characters in Riveting, Infuriating Third Season

rogerebert.com·3w·r/television

Peacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing

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Final Season of “Hacks” Ends a Perfect Run for HBO Max Hit

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RogerEbert.com Contributor, Renowned Film and Television Journalist Richard Roeper Joins the NBC News 5 Team

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AMC’s “The Audacity” Keeps Aiming for Big-Tech Mockery, But Mostly Bums Us Out

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Short Films in Focus: Trapped (with Sam Cutler-Kreutz)

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“The Boys” Remains the Most Pressing Superhero Show of Our Time With Electric Final Season

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“Star Wars” Keeps Its Animation on the Dark Side (Literally) with “Maul

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Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”

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Season 2 of “Your Friends & Neighbors” Serves Another Course of Hamm-Flavored Suburban Malaise

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