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Interview: Filip Mašek, Kristina Husová, Fabian Driehorst • Director and producers of Acorn's Adventure - “Society often expects us to define ourselves very qui...

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Interview: Dominic Spitaler • Producer, ostblok - “If you want to subvert a conservative right-wing audience, the arthouse cinema is the wrong place”

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Applications open for the 30th Baltic Sea Docs

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Review: A Song Without Home

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Review: Women as Lovers

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Doc Together presents think-tank report on supporting filmmakers at risk in Thessaloniki - Thessaloniki Documentary 2026

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Review: Christiania

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The 29th Diagonale feels its way through uncertain times

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Interview: Nicola von Leffern, Jakob Carl Sauer • Directors of To Close Your Eyes and See Fire - “It's a film about trauma, but in general it's a film about cla...

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Review: Days of Wonder

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Review: Pieces of a Foreign Life

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Review: Whatever It Takes

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Clément Michel is shooting Claude - Production / Funding

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I Won’t Die For Love wins the Spanish Golden Biznaga in Málaga

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Interview: Gábor Holtai • Director of Feels Like Home - “You don't write fear; you write reality”

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Interview: Ivana Shekutkoska • Producer, Minimal Collective - "Audiences are everywhere, but attention has to be earned"

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Interview: Ulrike Ottinger • Director of The Blood Countess - “I always start with the image”

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Zuzana Kirchnerová’s Caravan crowned Best Film at the Czech Lion Awards - Festivals / Awards

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The Stories wins the Grand Prix at the 41st Love International Film Festival in Mons - Mons 2026

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Porte Bagage is the winner of Bergamo Film Meeting

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