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Joe Pernice Brings Melody, Restraint, and Emotional Clarity to Solo LP ‘Sunny, I Was Wrong’ (ALBUM REVIEW)

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Surfing The Tube: Bruce Springsteen And The E Street Band Kick Off Tour; Weezer Shines Again; Tom Misch Celebrates Recent Album Release

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LISTEN: Basciville’s “Love In The Time Of The State” Is Vulnerable Folk-rock With Moving Poetry

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LISTEN: Vansire Returns With Bright & Sentimental Pop Excellence On “For the Moment”

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Ryan Solee of The Builders and The Butchers Dances in The Wreckage of ‘No Tomorrow’ (ALBUM PREMIERE/INTERVIEW)

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Golden Age Thursday Samples: The Gap Band’s “Yearning For Your Love” (1980) Gets Positioned Alongside Hip-hop Heavyweights like Nas (1994) & The Pharcyde (1995)

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Amplifiers to Oblivion: Sunn O))) Reclaim Their Drone Throne On Self-Titled Sub Pop Release (ALBUM REVIEW)

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Futurebirds Announce Their First Double Album ‘Far Out Country’ Out June 5th via Dualtone

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Charley Crockett Wraps Up Daring Sagebrush Trilogy With Ethereal & Lofty ‘Age of the Ram’ (ALBUM REVIEW)

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Johnny Blue Skies & the Dark Clouds Announce Arena Tour

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Surfing The Tube: David Byrne Performs On Colbert; Netflix Announces Noah Kahan Doc; Tems Appears On Jimmy Fallon

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Weirdo Wednesday: Red Hot Chili Peppers Go Almost Unlistenable With “Yertle The Turtle”

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45 Years Later: The Grateful Dead’s Acoustic Gem ‘Reckoning’ Still Endures

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Thundercat Returns With Dazzling & Empathetic LP ‘Distracted’ (ALBUM REVIEW)

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Sunday Service, Reimagined: Cory Henry Builds a Gospel Community At Inglewood’s Miracle Theater (SHOW REVIEW/PHOTOS)

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Turnstile, Death Cab for Cutie, Blood Orange, Orville Peck, Bikini Kill, De La Soul, Yves Tumor Lead Bumbershoot 2026

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Billy Strings Confirms Fall Headlining Tour

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LISTEN: Fata Morgana Amaze With Lively Soul Balladry On Debut Single “Take Me Higher”

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LISTEN: Conor Miley’s “Raise Your Red Flag” Is Electrifying Indie Rock With Raw Passion

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Surfing The Tube: Buck Meek Reveals What’s In His Bag; Allison Russell and Sarah McLachlan Honor Joni Mitchell; RAYE Performs At Abbey Road

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