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SONG PREMIERE: Dida Pelled Injects Blues Standard “Since I Fell For You” With Dreamy, Jazzy Intimacy

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Surfing The Tube: Caamp Perform On NPR Tiny Desk; The Black Keys Continue Album Rollout; Foo Fighters Share New Music Video

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CAUSTIC COMMENTARY: Ringing, Son Little, Inara George, Grace Ives, FOOTBALLHEAD & More

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20 Years Later: Loose Fur’s (Tweedy, Kotche, O’Rourke) Collaborative Spirit Gets Recontextualized On Second & Final Album ‘Born Again In The USA’

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LISTEN: Ones Loved’s “Undone” Is Slow-Burning Dream Pop With Pure Poetry

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LISTEN: MEMORIALS Craft Hauntingly Beautiful Indie Rock On “Dropped Down The Well”

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Spencer Thomas and the Art of Influence: Finding Himself Inside the Songs of Others On New Album ‘Cynical Vision’ (FEATURE/ALBUM PREMIERE)

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ALBUM PREMIERE: Dwight + Nicole Display Eclectic Modern R&B Sounds and Musical Range on ‘Day or Night’

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SONG PREMIERE: Todd Albright Offers Raw and Rollicking Interpretation of Classic Number “The Fort Worth & Dallas Blues”

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Golden Age Thursday Samples: The Charmels’s “As Long As I’ve Got You” (1967) Finds Its Way Into Hip-hop History Via Wu-Tang Clan (1993) & Blackstreet (1996)

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‘CITYFOLK’ Finds Son Little Expanding His Sonic World With Atmospheric Soul (ALBUM REVIEW)

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These Memorable Performances Prove Big Ears is a Destination Festival (PREVIEW)

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Genesis Owusu Announces Third Studio Album ‘Redstar Wu & The Worldwide Scourge’

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Surfing The Tube: Death Cab For Cutie Return; Broken Social Scene Share New Music Video; Broadway Musical The Book Of Mormon Is Back

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Joyce Manor & Militarie Gun Leads Eclectic Punk Showcase & Crowd-Surfing Glory at Orlando’s House of Blues (SHOW REVIEW)

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VIDEO PREMIERE: The Cle Elum Spin a Punchy and Rocking Power Pop Ode to One of Their Favorite Bands with “Guided By Guided By Voices”

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VIDEO PREMIERE: Fleur Bleu·e Explore the Feeling of Letting Go with Dream-pop Sounds on “Surrender”

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Ringing Establish Individuality On Experimental & Revealing ‘Another Cycle in the Cosmic Wash’ (ALBUM REVIEW)

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John Hollier & The Reverie Create Intriguing Dream Rock Sequence On Expansive ‘Rainmaker’ (ALBUM REVIEW)

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Spencer Thomas Blends Subtle But Affecting Lyricism with Folk and Indie Pop Sounds on ‘Cynical Vision’ (ALBUM REVIEW)

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