Music | The Guardian · Scour

It’s known for making submarines. So how does this remote Cumbrian venue attract the world’s boldest musicians?

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Unmasking US rap iconoclast MF Doom’s final years in West Yorkshire

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‘A statement about power shifting’: why Bad Bunny wore Zara for his Super Bowl show

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‘We recorded it in a kitchen!’ How China Crisis made Black Man Ray

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The Testament of Ann Lee with Daniel Blumberg and Amanda Seyfried review – yelps, bells and bruised beauty

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Ebo Taylor, Ghanaian highlife pioneer and guitarist, dies age 90

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‘The music could not stop for three days’: how Sirāt went on a road trip to the dark heart of rave

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Campaigners urge UK ministers to make music lyrics inadmissible in court

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Reshona Landfair on her life after R Kelly: ‘I had to rebuild my entire self’

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Readers replies: why does a song sometimes get stuck in our heads – and what makes an earworm?

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‘It’s become more about politics than music’: what will Bad Bunny bring to the Super Bowl?

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My cultural awakening: Bach helped me survive sexual abuse as a child

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Winter Olympics 2026 opening ceremony review – Mariah Carey gets upstaged by Verdi, Puccini and Rossini dancing to Italo disco

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Taylor Swift casts ‘insanely charismatic and lovable’ Graham Norton in music video

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Max Richter: the composer who crosses the invisible divide between ‘high’ and ‘low’ music

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Add to playlist: the bizarro punk of Dutch upstarts Grote Geelstaart and the week’s best new tracks

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Danny L Harle: Cerulean review – an earnest homage to early 00s bangers or a poor imitation?

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‘It’s gonna be a huge party’: Bad Bunny set for Super Bowl stage as Trump skips event

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Fabiano Do Nascimento & Vittor Santos Orquestra: Vila review | Ammar Kalia's global album of the month

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‘Tickets have become status symbols’: from Harry Styles to Taylor Swift, why is live music bigger and more expensive than ever?

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