Music | The Guardian · Scour

Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …

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Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring

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Add to playlist: the magnetic, uncanny songwriting of Frances Chang and the week’s best new tracks

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Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

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Ana Roxanne: Poem 1 review | Safi Bugel's experimental album of the month

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‘We’re not Lady Gaga and Elton John’: unmasking Angine de Poitrine, the year’s buzziest, dottiest band

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Flutes, freestyles and infectious fun: Lizzo’s greatest songs

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Post your questions for Beth Orton

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Aldous Harding: Train on the Island review | Alexis Petridis's album of the week

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‘The best gift mom gave me was a peaceful death’: Linda Perry on cancer, abuse and her intense documentary

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Billie Eilish says she does ‘everything I can’ to suppress Tourette syndrome tics

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Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history

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Burna Boy, Wizkid, Tyla and more took African pop global. So why don’t they tour Africa itself?

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‘In times like this, it pays to be Italian’: Mind Enterprises, the Campari-necking Italo disco revivalists who became a meme

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‘It kicks ass’: Rolling Stones launch new album at star-studded New York event

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‘It’s a bit emotional’: Paul McCartney plays new songs to fans at Abbey Road

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‘Nobody’s going out!’ Why is Britain’s nightlife in such decline

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Fake fans, fake buzz? How your favourite band got big

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Britney Spears pleads guilty to reckless driving charge in DUI case

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‘We got a drive-by egging in Baltimore’: Super Furry Animals on making The Man Don’t Give a Fuck

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