Music | The Guardian · Scour

Lorde review – viscerally kinetic theatrics and euphoric abandon

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Todd Snider, alt-country singer-songwriter of Alright Guy, dies aged 59

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أحمد [Ahmed]: Sama’a (Audition) review – a wild, world-spanning act of musical devotion

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AC/DC review – a thrilling show stuffed with classics … and your eardrums will never be the same

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‘Anastacia is a big inspiration for me – raspy, raw and heartfelt’: Ella Eyre’s honest playlist

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Guitar Hero at 20 – how a plastic axe bridged the gap between rock generations

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Kendrick Lamar leads Grammy award nominations with nine nods

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‘I was the only out queer guy in rock’: Faith No More’s Roddy Bottum

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The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

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Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review | Jude Rogers' folk album of the month

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‘It’s impossible not to have contradictions in a contradictory world’: Catalan pop visionary Rosalía on critics, crisis and being ‘hot for God’

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Hatchie: Liquorice review – dizzying dream pop with welcome flashes of depravity

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‘A shot of adrenaline’: readers pass on 90s club classics to new generations

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Radiohead review – bards of the apocalypse return for a brutal bacchanal

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Donna Jean Godchaux supplied steel and soul to the Grateful Dead in their prime

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‘I want to ride out on a unicorn every night’: swords’n’sorcery heavy metal band Castle Rat

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Ravyn Lenae review – art-school dreamer at ease with her own melancholy

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Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else

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Richard Ashcroft: ‘Why not Sir Liam and Sir Noel?’

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‘I took mushrooms before my audition’: Smiths drummer Mike Joyce on wild gigs, Marr’s jim-jams and Morrissey’s genius

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