Music | The Guardian · Scour

‘I became a New Order groupie’: Tim Burgess’s honest playlist

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Kae Tempest on creativity and his gender transition: ‘I’m just glad to be alive’

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Add to playlist: the sweaty, unvarnished electropop of Punchbag and the week’s best new tracks

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Olivia Rodrigo: Drop Dead review – a maximalist rush of infatuation that’s just a bauble short of festive

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Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill

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D4vd arrested on suspicion of murder months after body of teen girl found

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‘He’d gaze at the stars and go: I’m gonna be up there one day’: Prince by those who knew him best, 10 years after his death

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Zohran Mamdani still making money from fleeting rap career, filings show

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DJ Shadow: ‘Kraftwerk are a touchstone for every phase of my career’

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Jessie Ware: Superbloom review – Table Manners host dishes up more disco – but where are the bangers?

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Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times

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‘A feeling of ecstasy’: how Anne Hathaway and FKA twigs created the thunderous Mother Mary soundtrack

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90s rock icon Bob Mould: ‘When Cobain died, I pulled the plug – there was nothing worth saving’

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‘Fame quickly became a nightmare’: Preston on Big Brother, falling from a balcony – and reforming the Ordinary Boys

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Clannad’s Moya Brennan had a dazzling, distinctive voice that lifted spirits until the end

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Madonna announces sequel to her 2005 album Confessions on a Dance Floor

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‘She wanted to disappear in silence’: the magical life and mysterious death of married musician duo Irena and Vojtěch Havlovi

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‘This craving to go viral is tiresome’: the artists who’re sick of the pressure to promote on social media

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Kanye West faces possible ban from France ahead of concert in Marseille

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Coachella 2026 highlights: big stars, boisterous energy and millennial nostalgia power windy year

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