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The Older and Newer: Budapest Classics Film Marathon 2025

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A Friend of the Audience, and the Producers – There’s No Going Back: The Life and Work of Jonathan Demme

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Cinema to the Edge: Alireza Khatami on The Things You Kill

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Replicating Neoliberal Reform: Failed Mothers in John Singleton’s Boyz N the Hood (1991) and Baby Boy (2001)

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Replicating Neoliberal Reform: Failed Mothers in John Singleton Boyz N the Hood (1991) and Baby Boy (2001)

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A Prototype for Future African Works: Producer Mo Abudu on Dust to Dreams

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The Plain Truth – Rick Goldsmith on Stripped for Parts: American Journalism on the Brink

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Analyzing “on a Forensic Level”: Tim Lucas on the 30th Anniversary of Throat Sprockets

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Object Incidents and the Wilderness of Speech in Howard Hawks’s Ball of Fire (1941)

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Starring in His Own Nightmare: Joe Begos on Jimmy and Stiggs

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What is Left Unsaid: Alexandra Simpson’s No Sleep Till

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Satirizing Horror and Spellbinding the Social Contract: Weapons (2025)

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When Jaws Premiered; or, the Hottest and Coolest Weekend on Record

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Windows to Survival: Veljko Vidak and Emmanuelle Felce on Cinéma Laika

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Hardened Idols: Hollywood Boozers, Brawlers and Hard-Luck Cases

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Preview: Shadows in the Sunlight – On the Noir Western

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A Futurist Fascination – Strangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness

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Embracing Revolution: Daniel Vidal Toche on The Anatomy of the Horses (KVIFF)

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Call for Proposals – Cinematic Memory: Narrative, Recollection, and Identity (Edited by David Ryan)

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Longing for a Hollywood Ending – Losing the Plot: Film and Feeling in the Modern Novel

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