MusicTech · Scour

Take a look at the Lego prototype of Ableton Push: “It was playful and not permanent, that’s what allowed us to go through many iterations”

MusicTech·

Sennheiser unveils new flagship MOMENTUM 5 wireless headphones, built to “disappear on your head”

MusicTech·

Save BIG on classic Roland plugins for a limited time at Plugin Boutique

MusicTech·

Spotify partners with UMG on AI-powered remix tool as part of a “superfan initiative” designed to “support human artistry”

MusicTech·

OneOdio Studio Max 2 review: the same ultra-low latency as the big brands without the hefty price

MusicTech·

Eventide Music Mouse review: The rodent collaborator I never knew I needed

MusicTech·

“The Prophet-5 set the standard for how it’s done today… but there are other ways”: Why the UDO DMNO might just change the polyphonic landscape as we know it

MusicTech·

Apple Music announces new livestreaming series: Club Live

MusicTech·

“Not every song has to be Imagine by John Lennon”: How one piece of advice changed Dave Grohl’s approach to songwriting forever

MusicTech·

JBL EON One Compact review: Life in plastic still fantastic after 30 years

MusicTech·

L-Acoustics announces Source Intelligence for vocal isolation in live environments

MusicTech·

L-Acoustics’ new L1 and CS1 line array speakers are here: “A genuine turning point in the live music industry”

MusicTech·

Google Flow Music announces its first dedicated mobile app

MusicTech·

Behringer leaks more than a dozen unreleased synths, drum machines and controllers on website

MusicTech·

Viiri Audio releases its debut plugin: Aava, a new creative convolution processor

MusicTech·

The “world’s first generative AI guitar” has arrived – will it live up to the hype?

MusicTech·

Marshall’s new Milton A.N.C. wireless headphones boast “next-generation” adaptive noise cancelling

MusicTech·

Wallis on embracing sound-mangling plugins, thriving as a producer and how to survive the music industry

MusicTech·

Softube’s new Bus Processor plugin brings you the “essence of the legendary 670” for just $99

Take a look at the Lego prototype of Ableton Push: “It was playful and not permanent, that’s what allowed us to go through many iterations”

Sennheiser unveils new flagship MOMENTUM 5 wireless headphones, built to “disappear on your head”

Save BIG on classic Roland plugins for a limited time at Plugin Boutique

Spotify partners with UMG on AI-powered remix tool as part of a “superfan initiative” designed to “support human artistry”

OneOdio Studio Max 2 review: the same ultra-low latency as the big brands without the hefty price

Eventide Music Mouse review: The rodent collaborator I never knew I needed

“The Prophet-5 set the standard for how it’s done today… but there are other ways”: Why the UDO DMNO might just change the polyphonic landscape as we know it

Apple Music announces new livestreaming series: Club Live

“Not every song has to be Imagine by John Lennon”: How one piece of advice changed Dave Grohl’s approach to songwriting forever

JBL EON One Compact review: Life in plastic still fantastic after 30 years

L-Acoustics announces Source Intelligence for vocal isolation in live environments

L-Acoustics’ new L1 and CS1 line array speakers are here: “A genuine turning point in the live music industry”

Google Flow Music announces its first dedicated mobile app

Behringer leaks more than a dozen unreleased synths, drum machines and controllers on website

Viiri Audio releases its debut plugin: Aava, a new creative convolution processor

The “world’s first generative AI guitar” has arrived – will it live up to the hype?

Marshall’s new Milton A.N.C. wireless headphones boast “next-generation” adaptive noise cancelling

Wallis on embracing sound-mangling plugins, thriving as a producer and how to survive the music industry

Splice partners with ElevenLabs on “next-gen AI-powered creative tools”