People of Print peopleofprint.com

People of Print: Between Vessel and Sculpture: Umar Abdulrasheed’s Contemporary Ceramics

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People of Print: Grubby Hands First: Sarah Louise Kinsella Wraps Five Ferraris in Gel Plate and Grit

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People of Print: Cold Drawing Made Tactile: Sabine Kelka’s Patterns of Perception

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People of Print: Hiding in Plain Sight: Ruchika Nambiar’s Record Withheld

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People of Print: Classic Inelegance: Ren Riley’s Fable & Fame Brings Printmaking Off the Page and Onto the Street

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People of Print: Paper Wants to Meet You: The Independent Paper Show Comes to Manchester

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People of Print: Painting the Invisible Layer: Fung Cheung’s Mirror Mirror

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People of Print: Imperfection Was the Goal: Blood & Gold’s Back to Basics

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People of Print: Kaleidoscopic Paradoxes: Patricia Shea’s Analogue-Meets-Digital Pattern World

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People of Print: Careers Are Made by It: Nathan Spainhour’s South Carolina BBQ Project

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People of Print: A is for Analog: Superflinda’s Riso Alphabet Lets the Machine Collaborate

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People of Print: A Welcome to the Fairway: Shengjie Wu’s Birdie Beginner Golf Kit

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People of Print: Lifting Off the Page: PD Packard’s Modular Pleated Kozo

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People of Print: A Window Into Modern Royalty: Ayushi Saria’s Jharokha Playing Cards

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People of Print: Do We Hold Each Other, or Hold Each Other Hostage? Michel van Collenburg’s Ransom Love Notes

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People of Print: A Letter Sent Outward: Malavika Natesh’s (My) Letter to the World

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People of Print: Every Drop of Inspiration: Hernan Ramos and the Colourful Universe of Gago Illustra

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People of Print: Impossible Cities: Hannah Fray’s Facets of a City

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People of Print: Get Into the Moment: Erin Tilly’s Life Is Play

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People of Print: Beyond the Edges of Recognition: Mikołaj Pyka’s the.substratum

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