People of Print peopleofprint.com

People of Print: Tiny, Powerful Details: Amerys and the Rise of Glamerys

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People of Print: Where Are They Now: Matt Gold’s Unseen America

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People of Print: Back to Pencil and Paper: Madison Rengnez’s 360-Day Drawing Roulette

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People of Print: Homegrown Colour on Reclaimed Cloth: Adriana Alexatos and the Practice of gloomnbloom

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People of Print: Stay Organised and Fearless: Pacolli’s Twenty Years of 1/1 Printed Apparel

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People of Print: 24 Frames Per Second, Hours Per Drawing: Catatte Tapia’s Stills

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People of Print: The Shape Communities Speak: Jolanta Johnsson’s Kaleido Scope within Crowds

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People of Print: Holding the Pause: Guan Wang’s Undisturbed

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People of Print: Stronger, Newer, Optimized: Kasia Konopka Packages the Self-Improvement Industrial Complex

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People of Print: Every Piece a Love Letter: Haley Simone’s Art of Sound

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People of Print: From First Cut to Full Commitment: Elisa Bertocchi’s Linocut World of Nature and Inner Peace

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People of Print: Where Couture Meets Cuisine: Catherine Casalino Designs Amuse-Bouche for Melanie Dunea

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People of Print: No One Can Deny Me My Creativity: Chloe Watts on Nine Years of Making as Aftercare

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People of Print: A Book That Embodies What It Contains: Fins Studio’s The Silhouette of a Noble Crane

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People of Print: Finding What Lives in the Gaps: Lily Kong’s Sweet Escape

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People of Print: Hypnosis by Hand: Ida Pettersson Preutz and the Optical Pull of Stripy Stripes

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People of Print: Between Tapestry and Taxidermy: Karl Orozco’s Printer’s Proofs

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People of Print: Elevated to the Status of Subject: Inferior Works Reconstructs the Vanished Craft of Mechanical Paste-Up

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People of Print: Everyone Needs Somewhere to Sit: Katya Walton’s Collaborative Craftscapes

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People of Print: I Grew Tired of Waiting: Hanaé Sanchez’s At Last

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