Speculative · Scour

Introduction to Speculative Design Practice

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Bastien Kerspern & Estelle Hary: Our practice is close to the activism

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Anab Jain: Our work investigates how emerging technologies influence our worlds

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David Benqué: I’m trying to articulate what “speculation” means in my own practice

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Tobias Revell: I have never made a chair or a poster

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Demitrios Kargotis & Dash Macdonald: We work directly in the public realm

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Silvio Vujičić: Speculativity have been always part of any good work of art

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Andreja Kulunčić: Merely being “critical” is not enough for social change

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Nina Bačun: I couldn’t position my practice in any of the existing categories

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Damir Prizmić: Speculative approach is well suited to the new “overclocked” reality

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Nikola Bojić: I’m interested in rethink the existing realities in a new way

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Anselmo Tumpić: My prototypes are testing individuals and society

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Robert Čanak: Speculative practice opens space between the real and the impossible

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Lina Kovačević: My work is related to futurism and foresight

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Francisco Laranjo: Design should be decolonised

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Cameron Tonkinwise: Speculative practice needs diverse cultures

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Michael Smyth: Speculation could restore our sense of wonder

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Ramia Mazé: Design practices are not neutral

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Matt Ward: Speculation is part of every designers practice

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Nicolas Nova: This kind of design tells worlds, rather than stories

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