Artforum · Scour

Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates

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To Beige or Not To Beige? The Devil Wears Prada Sequel Takes On Quiet Luxury

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Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

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Venice Biennale 2026: Saudi Arabia’s Dana Awartani documents destroyed heritage sites

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Venice Biennale 2026: Kosovo’s Brilant Milazimi on his monumental tableau

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Bulldozer Plows Across Thousand-Year-Old Indigenous Land Art During Border Wall Construction

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Venice Biennale Swamped in Protests Ahead of Planned Strike

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Chanel Will Launch New Culture Fund Fellowship With the Guggenheim

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Selfie-Friendly Pedro Reyes Sculpture Sparks Controversy at LACMA

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Venice Biennale 2026: Henrike Naumann’s Last Work

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Venice Biennale 2026: Sung Tieu Refaces the German Pavilion

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Venice Biennale 2026: Argentina’s Matías Duville on volition and regulation

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Amy Sherald Dresses as Her Own Painting for Art-Themed Met Gala

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Anish Kapoor Condemns Inclusion of US in Venice Biennale

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Siteless Athens Arts Institution NEON Closing After 14 Years

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After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

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New Flagship Space for SAMoCA Announced As Part of Saudi Vision 2030

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Venice Biennale 2026: Poland’s Bogna Burska and Daniel Kotowski on Liquid Tongues

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Venice Biennale 2026: Denmark’s Maja Malou Lyse introduces her pavilion

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Iran Withdraws Pavilion From Venice Biennale

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