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Garfield Is Getting His First 2D Series In Over 30 Years At Paramount+

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Dark Comedy, Dystopian Sci-Fi, And Stop-Motion Pigeons: Our Favorite Pitches From Cartoon Movie 2026

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Quentin Rigaux’s ‘Cosmo Princess’ Blends Vintage Anime And French Animation Traditions With A Sci-Fi Story

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‘Nimona’ Director Troy Quane To Helm DreamWorks’ ‘The Wild Robot’ Sequel, Heidi Jo Gilbert To Co-Direct

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Watch: How Sony Designed ‘KPDH’s’ Rumi And Reimagined CG Facial Animation (EXCLUSIVE)

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This Stop-Motion Hairy Leg Could Help Decide The 2026 International Feature Oscar Race

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‘Decorado,’ ‘Dog Alone,’ ‘The Quinta’s Ghost’ Lead 2026 Quirino Awards Nominees

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‘Hoppers’ Director Daniel Chong On Translating Cartoon Logic Into Pixar’s CG Pipeline

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Cartoon Saloon Names ‘The Breadwinner’ Producer Anthony Leo CEO

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Floyd Norman To Attend Smithsonian Screening Of Floyd Norman: An Animated Life

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‘Win Or Lose’? Nah, Just Win: Pixar’s First Series Hits A Grand Slam At The 2026 Children’s & Family Emmys

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Fake Xerox And Real Piano Wire: How Gorillaz Went Old School For ‘The Mountain’

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‘Real Life Isn’t That Dramatic’: Director Xu Zao On Virtual Escapism In ‘Light Pillar’

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BloodStream Launches Animation Abomination Indie Horror Lineup (EXCLUSIVE)

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Laika, The Gotham Launch Animation Accelerator For Emerging Filmmakers

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Cartoon Brew: ‘Black Kids Deserve To Go To Narnia’: ‘The Three Tomes’s’ Breana Navickas On Building Fantasy On Her Own Terms

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‘Two Black Boys In Paradise’ Creator Dean Atta Doesn’t Let BAFTA Controversy Mar Historic Win

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That’s Really All Folks! Netflix Walks Away From Warner Bros. Deal, Clearing The Way For Paramount

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