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‘CAGE’ Turns Trump’s Anti-Immigrant Authoritarianism Into A Nightmarish Ritual

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A Live-Action ‘Moana’ Deepfake Didn’t Happen, But AI’s Hollywood Footprint Keeps Growing

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Glassworks VFX Closes After Nearly 30 Years, Citing ‘Exceptionally Challenging Market Conditions’

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‘Living Between 2D And 3D’: How ‘The Bad Guys 2’ Pushed Its Hybrid Animation Further

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More Cartoon Network Shows Pulled From HBO Max

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‘The Bad Guys 2’ Opens With $22.2 Million Domestically, Slightly Lower Than Its Predecessor

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Animated Epic ‘Mahavatar Narsimha’ Becomes India’s Highest-Grossing Animated Film In Less Than Two Weeks

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‘My Melody & Kuromi’ Screenwriter Shuko Nemoto: ‘There’s A Warmth To Its Handmade Quality’

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‘What If These Uber Eats Characters Had Internal Lives?’: Julian Glander On ‘Boys Go To Jupiter’

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Mili Pictures Defies Trends, Takes China’s ‘Wukong Warrior’ To Global Streaming Instead Of Theaters

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‘Sometimes, The Most Authentic Result Comes From Doing It The Traditional Way’: Luca Cioci’s Practical Magic In ‘Metrophusis’ (EXCLUSIVE)

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‘Frankenstein Meets Monsters, Inc.’: ‘Stitch Head’ Gets October U.S. Theatrical Release Date

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‘KPop Demon Hunters’ Trilogy, Short Film, And More In The Works: Explaining The Data Behind Netflix’s Biggest-Ever Animated Hit

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Netflix Renews ‘BoJack’ Creator’s ‘Long Story Short’ For Second Season Ahead Of Series Premiere

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The Brothers Quay’s Long-Awaited Feature Return, ‘Sanatorium Under The Sign Of The Hourglass,’ Gets August 29 U.S. Theatrical Release Date

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‘South Park’ Season 27 Premiere Draws Nearly 6M Viewers, Marks Franchise’s Biggest Cable Share Since 1999

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Sony’s ‘GOAT’ Trailer Unleashes Stylized Chaos In A Full-Contact Animal Sports Comedy

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Judy And Nick Return In ‘Zootopia 2’ Trailer, But Their Partnership Is On Thin Ice

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MeTV Toons To Celebrate ‘The Flintstones’ 65th Anniversary With All-Day Marathon (EXCLUSIVE)

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Mamoru Hosoda’s ‘The Boy And The Beast’ Returns To U.S. Theaters For One-Day-Only Screening

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