IndieWire · Scour

‘The Wave’ Trailer: ‘A Fantastic Woman’ and ‘Gloria’ Director Sebastián Lelio Unveils a Bold Protest Musical

IndieWire·

Watch Seth Meyers and His ‘Late Night’ Team Explain How ‘A Closer Look’ Became Their Signature Segment

IndieWire·

Guillermo del Toro, David Leitch, and More Join Academy Board of Governors as First-Time Members

IndieWire·

Watch Casting Directors Break Down the Difference Between Launching a Hit Show and Maintaining One

IndieWire·

Ronan Farrow on What We Can Do to Keep Censorship and the Threats of AI at Bay

IndieWire·

Watch Sir Ben Kingsley Explain the ‘Layers’ of Character Development That Led Him Back to Marvel for ‘Wonder Man’

IndieWire·

Inside ‘The Furious’: How Kenji Tanigaki Built an Action Movie That Hits Different After the Epstein Files

IndieWire·

‘House of the Dragon’ Review: Season 3 Wages an Unwanted War Filled with Horrors and Ghosts

IndieWire·

‘Barrio Triste’ Trailer: Bad Bunny Collaborator Stillz Makes Feature Debut with This Imaginative Portrait of Colombian Youth

IndieWire·

‘Eraser’ Turns 30: How Smart Casting and Stuntwork Led to Arnold Schwarzenegger’s Most Vulnerable Action Role

IndieWire·

Pamper Yourself This Pride with 1991’s ‘Vegas in Space,’ the Fiercest Drag Film on the Planet Clitoris

IndieWire·

DOJ Will Not Challenge Paramount-Warner Bros. Merger: Deal Will ‘Increase Competition’ and ‘Benefit American Consumers and Workers’

IndieWire·

Top of the Line: What’s Your Take?

IndieWire·

‘Lucy Schulman’ Review: Failure to Launch Never Seemed So Wholesome

IndieWire·

‘Not Saying That Verité Is Dead’: How Documentaries Take Advantage of a World So Aware of the Camera

IndieWire·

‘Revolutionary Girl Utena’ Is the Anime to Watch This Pride Month

IndieWire·

Steven Conrad Knew ‘DTF St. Louis’ Was a Hit When He Heard a Stranger Say They Didn’t Like It

IndieWire·

‘Act One’ Review: An Ingénue Falls Under the Spell of a Creepy Acting Teacher in Sophia Takal’s Gripping Backstage Thriller

IndieWire·

We Believe: ‘Disclosure Day’ Is a Box Office Win for Original Sci-Fi

‘The Wave’ Trailer: ‘A Fantastic Woman’ and ‘Gloria’ Director Sebastián Lelio Unveils a Bold Protest Musical

Watch Seth Meyers and His ‘Late Night’ Team Explain How ‘A Closer Look’ Became Their Signature Segment

Guillermo del Toro, David Leitch, and More Join Academy Board of Governors as First-Time Members

Watch Casting Directors Break Down the Difference Between Launching a Hit Show and Maintaining One

Ronan Farrow on What We Can Do to Keep Censorship and the Threats of AI at Bay

Watch Sir Ben Kingsley Explain the ‘Layers’ of Character Development That Led Him Back to Marvel for ‘Wonder Man’

Inside ‘The Furious’: How Kenji Tanigaki Built an Action Movie That Hits Different After the Epstein Files

‘House of the Dragon’ Review: Season 3 Wages an Unwanted War Filled with Horrors and Ghosts

‘Barrio Triste’ Trailer: Bad Bunny Collaborator Stillz Makes Feature Debut with This Imaginative Portrait of Colombian Youth

‘Eraser’ Turns 30: How Smart Casting and Stuntwork Led to Arnold Schwarzenegger’s Most Vulnerable Action Role

Pamper Yourself This Pride with 1991’s ‘Vegas in Space,’ the Fiercest Drag Film on the Planet Clitoris

DOJ Will Not Challenge Paramount-Warner Bros. Merger: Deal Will ‘Increase Competition’ and ‘Benefit American Consumers and Workers’

Top of the Line: What’s Your Take?

‘Lucy Schulman’ Review: Failure to Launch Never Seemed So Wholesome

‘Not Saying That Verité Is Dead’: How Documentaries Take Advantage of a World So Aware of the Camera

‘Revolutionary Girl Utena’ Is the Anime to Watch This Pride Month

Steven Conrad Knew ‘DTF St. Louis’ Was a Hit When He Heard a Stranger Say They Didn’t Like It

‘Act One’ Review: An Ingénue Falls Under the Spell of a Creepy Acting Teacher in Sophia Takal’s Gripping Backstage Thriller

One of the Best Parts About ‘Disclosure Day’ Is This Practical Costuming Choice for Emily Blunt’s Heroine