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Netflix Co-Founder Reed Hastings Is Leaving the Streamer in June

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Paramount Chief David Ellison Makes His Promise to CinemaCon and Delivers Johnny Depp and Billie Eilish

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Do the Universal Monsters Still Matter, or Are They Already Dead?

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‘Erupcja’ Review: Charli xcx Ditches Her Boyfriend for a Polish Girl in Light and Breezy Movie About the Upside of Main Character Syndrome

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Bob Odenkirk’s Transformation Into John Wick Is Just Beginning

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Ebertfest May Be Celebrating Its ‘Last Dance,’ but ‘It’s Not the End’ of the Beloved Festival

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Tribeca Festival Reveals 25th Anniversary Lineup with 103 World Premiere Features

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How Do You ‘Inadvertently’ Get Lorne Michaels to Be Your Next Documentary Subject? Morgan Neville Explains

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Regina King, Taye Diggs, and More Join Lineup for the 30th Annual American Black Film Festival

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‘Lee Cronin’s The Mummy’ Review: A Bland, Cruel, and Derivative Creature Feature Only Distinguished by Its Rivers of Projectile Vomit

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‘Beef’ Season 2 Review: Bigger Is Actually Better in Lee Sung Jin’s Searing Netflix Sequel

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Michael B. Jordan, Ryan Gosling, and Even Rick Moranis — But No James Bond — Lead Star-Studded Amazon MGM CinemaCon

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‘The Thomas Crown Affair’ CinemaCon Tease: Michael B. Jordan Remakes a Classic

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Christopher Nolan Tells CinemaCon ‘The Odyssey’ Was a ‘Nightmare to Film…but in All the Right Ways’

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‘Focker In-Law’ Trailer: Ariana Grande Prepares to Meet the Parents

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‘Werwulf’ Tease: Robert Eggers’ 13th-Century Horror Movie Haunts CinemaCon with First Footage

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‘The Odyssey’ Tease: Christopher Nolan Shows Off Epic Trojan Horse Sequence at CinemaCon

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The Drama Series Emmy Race Amounts to ‘The Pitt’ vs. ‘Pluribus,’ Surrounded by Plenty of HBO Shows

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Adobe Premiere Just Made Color Correction Easier

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The Surprisingly Lowkey Ending of ‘Smiling Friends’

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