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2025 Venice: Mark Jenkin, Kent Jones, Carolina Cavalli, Gastón Solnicki, Laura Samani & Teona Strugar Mitevska in Orizzonti

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2025 TIFF: World Premieres Include Gavras’ ”Sacrifice’, Michôd’s ‘Christy’, Vanderbilt’s ‘Nuremberg’ & Winocour’s ‘Couture’

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2025 Venice Critics’ Week: Caroline Deruas Peano, Julia Jackman & Evi Kalogiropoulou Among Selections

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Company Policy: Stéphane Brizé Hired Alba Rohrwacher & Vincent Lindon for ‘Un Bon Petit Soldat’

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No Sleep Till | Review

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Drowning Dry | Review

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Eddington | Review

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London Calling: 1-2 Special Addicted to Harris Dickinson’s ‘Urchin’

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2025 Final Cut In Venice: Sara Ishaq’s ‘The Station’ & Saeed Taji Farouky ‘Standing at the Ruins’ Among Selections

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Daniel Tantalean & Ryan Bobkin Among Sundance Institute Names 2025 Producers Lab Fellows

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A New Michel Franco Film Set for 2026 Launch?

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Wild Diamond (Diamant Brut) | Review

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2025 Locarno Film Festival: Radu Jude, Alexandre Koberidze, Ben Rivers, Abdellatif Kechiche & Maureen Fazendeiro in Comp

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2025 Venice Gap-Financing Market: Ulrich Seidl, Sofia Alaoui, Emily Atef, Luis Ortega, Babak Jalali & Kamila Andini

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Kill the Jockey | Review

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Hot Milk | Review

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Interview: Ariane Labed – September Says

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Interview: Jessica Palud – Being Maria

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Teodora Ana Mihai’s ‘Heysel 85’ – Everything We Know So Far…

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Interview: Sarah Friedland & Kathleen Chalfant – Familiar Touch

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