Roger Ebert rogerebert.com

“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees

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The Ten Best Films of 2025

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HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year

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Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”

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“Call of Duty: Black Ops 7” Signals a Franchise in Stasis

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RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”

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Welcome to the Family Captures Chaos & Coolness of One of Hollywood’s Most Memorable Franchises

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Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western

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Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”

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Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS

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Palm Springs Film Festival Announces 2026 Lineup

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Joy in Racing to Keep Up: Tom Stoppard (1937-2025)

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Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”

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What I Know is What I Am: Jimmy Cliff (1944-2025)

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The Unloved, Part 144: River Queen

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“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes

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Reflections on the 2025 Tailinn Black Nights Film Festival | Festivals & Awards | Roger Ebert

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Reflections on the 2025 Tailinn Black Nights Film Festival

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Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”

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Actors Superbly Channel Siskel and Ebert Onstage in Chicago

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