Roger Ebert rogerebert.com

“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise

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Cannes 2026 Video #2: A Look Back at Day One of the Fest

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Prime Video’s “Off Campus” is Big on Romance, Music, and Spice

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Notes from the Red Carpet of the 2026 Chicago Critics Film Festival

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Cannes 2026: The Electric Kiss

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Cannes 2026: Table of Contents

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An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview

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Michael Sheen and David Tennant’s Emotional Connection Grounds a Bittersweet “Good Omens” Finale

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A Fond Farewell to Our Critic Monica Castillo

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Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!

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“Unconditional” Brings Moral Questions to a Mother’s Love

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A True American Original: Ted Turner (1938-2026)

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“The Terror: Devil in Silver” Fails to Earn a Spot on the Medal Podium

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Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance

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BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself

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Female Filmmakers in Focus: Lucrecia Martel on “Nuestra Tierra (Our Land)”

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Milwaukee Film Festival 2026: Making Waves, With Movies, Along the Shores of Lake Michigan

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Short Films in Focus: Sound and Color (with Director Emma Foley)

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How “In a Lonely Place” Changed Noir’s Direction

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“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller

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