Roger Ebert rogerebert.com

Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”

rogerebert.com·36w

50 Years Later, “Sholay” Remains a Captivating South Asian Epic

rogerebert.com·36w

You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”

rogerebert.com·36w

Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill

rogerebert.com·36w

Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill

rogerebert.com·36w

Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff

rogerebert.com·36w

Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo

rogerebert.com·36w

Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher

rogerebert.com·36w

Something Wicked This Way Comes in the Second Half of “Wednesday” Season Two

rogerebert.com·36w

Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”

rogerebert.com·36w

Telluride Film Festival 2025: The Cycle of Love, H is for Hawk, La Grazia

rogerebert.com·36w

Telluride Film Festival 2025: The Cycle of Love, H is for Hawk, La Grazia

rogerebert.com·36w

Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)

rogerebert.com·37w

Venice Film Festival 2025: The Biennale College

rogerebert.com·37w

An Ode to the Unanswered Questions in “Agnes of God”

rogerebert.com·37w

TIFF 2025: 20 World Premieres We Can’t Wait to See

rogerebert.com·37w

Short Films in Focus: Joe Hunting on “The Reality of Hope”

rogerebert.com·37w

Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother

rogerebert.com·37w

Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”

rogerebert.com·37w

The Unloved, Part 140: Shattered

rogerebert.com·37w

Log in to enable infinite scrolling