Roger Ebert rogerebert.com

Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival

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Ari Aster Talks with Chaz Ebert about “Eddington” at Music Box

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MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake

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KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women

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Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing

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KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama

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Introduction to the 59th Karlovy Vary International Film Festival

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Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”

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From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases

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A Chicago Star: A Conversation with Michael Madsen

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American Badass: Michael Madsen (1957-2025)

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I Am a Writer: “Wonder Boys” Turns 25

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The 10 Best Oasis Needle Drops

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What to Watch on Netflix: July 2025

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It’s One Louder: “This is Spinal Tap” Turns 41

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The Best TV of 2025 (So Far)

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Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season

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The Lonely Landscapes of “Materialists” and “The Worst Person in the World”

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Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”

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The Unloved, Part 138: Rebel Moon

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