Roger Ebert rogerebert.com

Cannes 2025: Left-Handed Girl, Sirât

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Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs

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Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art

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Though Uneven, ‘Overcompensating’ Is a Promising New Comedy

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Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration

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Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky

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Cannes 2025: Sound of Falling, Reedland

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Cannes 2025: Leave One Day, The Gold Rush

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Tom Seguro’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing

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J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”

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Cannes Film Festival 2025: A Look at the Cannes Classics Program

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Movies without Tariffs: A Preview of the 2025 Cannes Film Festival

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Remembering Jan Dawson, My Mother-in-Law (Twice)

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Explosive Action Carries “DOOM: The Dark Ages” Even as New Ideas Falter

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Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries

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Wisdom of the Sages: Warren Buffet, Deborah Szekely and Buddy Guy Show Us the Way

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Female Filmmakers in Focus: Dea Kulumbegashvili on April

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Short Films in Focus: Margie Soudek’s Salt and Pepper Shakers

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“Cookie’s Fortune”: A Little Southern Comedy

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The 2025 TCM Film Festival

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