Roger Ebert rogerebert.com

The Puppet Master Was Right: “Ghost in the Shell” at 30

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February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More

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Video Interview: Edgar Berger, Ralph Fiennes on “Conclave”

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If We Picked the Winners: The 97th Academy Awards

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Three of Quentin Tarantino’s Most Beloved Features Get the 4K Steelbook Treatment

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Movies to Watch if You Love Bad Bunny

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The Timeless Echoes of “The Spirit of the Beehive”

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Ebertfest Adds Barbara Kopple’s Academy Award Winner “Harlan County U.S.A.”

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Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur

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“Suits: LA” Is Dumb, Glossy Nothingness

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30 Minutes On: “Watership Down”

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NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World

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Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls

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Pixar’s Charming But Compromised “Win or Lose” Catches A Few Foul Balls

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Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”

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NBC’s “Grosse Pointe Garden Society” Fails to Grow Much of Interest

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Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host

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Hulu’s Bold “A Thousand Blows” Is the Most Riveting Series of the Year

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A Look at Every Oscar-Nominated Short This Year

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A Look at Every Oscar-Nominated Short This Year

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