Roger Ebert rogerebert.com

All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season

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Christy Lemire Bids a Fond Farewell to RogerEbert.com

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“Resident Evil: Requiem” is a Perfect Hybrid of Past Successes

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Life Within the Lens Celebrates Black Filmmaking

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“Monarch: Legacy of Monsters” Maintains Momentum in Confident Second Season

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“God of War: Sons of Sparta” is a Clunky Footnote in Legacy of Incredible Franchise

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Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”

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CBS’s “CIA” Refuses to Read the Room

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Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941

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Hulu’s “Paradise” Splits Its Focus And Gets More Frustratingly Unhinged In Season 2

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Season 2 of “The Last Thing He Told Me” Is the Last Thing You’ll Want to Watch

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Netflix’s “Strip Law” Should Stay in the Animated Desert

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Netflix’s Massive Hit “The Night Agent” Returns with Confident Third Season

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ABC’s “Scrubs” Returns to Network TV as if It Never Clocked Out

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Celebrating Black Cinema: Shawn Edwards on the Black Movie Hall of Fame

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Highlights of Roger Ebert on Black Filmmakers for Black History Month

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Keep on Dreaming: Reverend Jesse Jackson (1941-2026)

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Book Excerpt: The World of Black Film: A Journey Through Cinematic Blackness in 100 Films by Ashley Clark

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The Eye of a Camera: Frederick Wiseman (1930-2026)

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Remembering the Forgotten Movies of the 2026 Oscar Season

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