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Has it been a good year for original IP at the box office? – The Screen Podcast

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UK creative industries minister commits to improving access to British Business Bank for film producers

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Hammer Films owner John Gore Studios acquires UK genre pioneer Tyburn Film Productions

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UK’s Screen Cornwall launches £2.5m film and TV fund

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Saudi Arabia leads $900m raise for Hollywood lab owner Luma AI

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Advance ticket sales of ‘Wicked: For Good’ are double that of ‘Wicked’, say UK exhibitors

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Tilly Norwood creator on "fascinating" backlash and why AI will lead to a three-fold increase in production

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‘Wicked: For Good’ review: Cynthia Erivo sparkles, but musical sequel fails to hit the high notes

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How the UK’s regional drama schools are fighting to get working-class talents in front of London casting directors

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‘Sentimental Value’ leads nominations for European Film Awards

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Tom Cruise receives honorary Oscar: “Making films is not what I do, it is who I am”

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“Making films is not what I do, it is who I am”: Tom Cruise receives honorary Oscar

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Sara Frain to lead Picturehouse’s UK distribution arm; Clare Binns becomes creative director

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‘Now You See Me 3’ pips ‘The Running Man’ in close UK-Ireland box office battle

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‘Now You See Me 3’ aces $75.5m global box office opening; ‘The Running Man’ starts with $28.2m

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‘Now You See Me 3’ aces $75.5m global box office opening; ‘The Running Man’ makes $28.2m

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‘The Outrun’, ‘On Falling’ lead winners at Bafta Scotland awards

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The Match Factory reports strong AFM response to Jane Schoenbrun‘s ‘Teenage Sex And Death At Camp Miasma’

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Comcast and Netflix reportedly set to join Paramount in Warner bidding

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UK-Ireland box office: ‘The Running Man’, ‘Now You See Me 3’ open in busy weekend for new titles

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