Art and design | The Guardian · Scour

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Drone attacks in Kyiv and swallow nestlings: photos of the day

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

Fit for a king: Ian McKellen to play Lear at newly rebuilt Yard theatre in east London

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments

Most famous image of JMW Turner not a self-portrait, says expert

V&A Rising Voices review – can decades of stunning global art really be squished into three rooms?

Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut

A woman with a bull costume exuding masculine energy: Marisol Mendez’s best photograph

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

Zineb Sedira review: A chic ode to revolutionary cinema, brainy boozers

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

He’s behind you! The best of Photo London

Look up: Milky Way photographer of the year 2026

The Electric Kiss review – belle époque seance comedy struggles to summon real magic

‘It’s a love letter’: exhibition pays tribute to Frank Gehry’s lesser-known works

The car park that changed British art: Bold Tendencies at 20

‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice

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