Books | The Guardian · Scour

The Disappearing Act by Maria Stepanova review – a poetic exploration of Russian guilt

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On Morrison by Namwali Serpell review – a landmark appraisal of the great novelist’s work

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Our Better Natures by Sophie Ward review – reimagining Andrea Dworkin

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A Hymn to Life by Gisèle Pelicot review – a unique memoir by a figure of astonishing power

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More heartache than Hamnet?: Maggie O’Farrell’s best books

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Poem of the week – from plastic: A Poem by Matthew Rice

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Frogs for Watchdogs by Seán Farrell review

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A World Appears by Michael Pollan review – a kaleidoscopic exploration of consciousness

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Tom Gauld on the modern romance novel

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Are we hard-wired for infidelity?

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‘She dared to be difficult’: How Toni Morrison shaped the way we think

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‘There’s only one bed’, ‘fake dating’ and ‘opposites attract’: how tropes took over romance

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‘His favourite book was by Jordan Peterson, which was a massive ick’: how books perform on dating apps

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The bristling wit and melancholy of Cees Nooteboom came to me when I needed it most

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The best recent science fiction, fantasy and horror

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Good People by Patmeena Sabit review – addictive mystery caters to modern attention spans

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The Uncool by Cameron Crowe audiobook review – memoir of an awestruck insider

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Super Nintendo by Keza MacDonald review – a joyful celebration of the gaming giant

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The True True Story of Raja the Gullible (and His Mother) by Rabih Alameddine review – drag fabulousness in war-torn Beirut

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Gisèle Pelicot describes shock of seeing herself like ‘a rag doll’ in memoir

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