Books | The Guardian · Scour

Lyra’s last story – exclusive extract from Philip Pullman’s final installment in The Book of Dust trilogy

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The Captive by Kit Burgoyne review – a literary novelist tries his hand at pulp horror

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Certified organic and AI-free: New stamp for human-written books launches

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Adolescence star Stephen Graham launches global project asking fathers to write to their sons

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Mona’s Eyes by Thomas Schlesser review – painfully clunky lessons in art

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This month’s best paperbacks: Jonathan Coe, Tessa Hadley and more

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Humanish by Justin Gregg review – how much of a person is your pet?

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Finding My Way by Malala Yousafzai review – growing up in public

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Big Kiss, Bye-Bye by Claire-Louise Bennett review – remembering terrible men

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‘After the reading, the poets hold each other’: what happens when Ukraine’s largest literary festival comes under Russian attack

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Poem of the week: My Mother by Claude McKay

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Pick a Colour by Souvankham Thammavongsa review – behind the scenes at the nail salon

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After Oscar by Merlin Holland review – Wilde’s grandson on the legacy of a scandal

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Tom Gauld on where writers really get their ideas – cartoon

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‘I wanted to write more than I wanted to have children’: author Sarah Perry on rejecting motherhood

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‘I’m going to write about all of it’: author Chris Kraus on success, drugs and I Love Dick

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Colm Tóibín: Why I set up a press to publish Nobel winner László Krasznahorkai

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The best recent science fiction, fantasy and horror – review roundup

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Natalie Haynes: ‘I’ll never read anything by a Brontë again’

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Raise Your Soul by Yanis Varoufakis review – an intimate history of Greece

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