Music + Album reviews | The Guardian theguardian.com

Wagner: Der Ring des Nibelungen album review – Luisi has a keen sense of the operatic architecture

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Kurt Vile: Philadelphia’s Been Good to Me review – indie-rock’s most easygoing dude gets existential

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Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster

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Dua Saleh: Of Earth and Wires review – ambitious confrontation of global catastrophe is surprisingly cautious

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Marisa Anderson: The Anthology of UnAmerican Folk Music review – Harry Smith’s archives light up again

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Dancing on a Volcano album review – a glorious technicolour snapshot of pre-war musical Germany

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Martinů: The Symphonies 1-6 album review – Hrůša is a very persuasive guide to this distinctive and likable cycle

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Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questions

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Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

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Ana Roxanne: Poem 1 review | Safi Bugel's experimental album of the month

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Helen Charlston: A Poet’s Love album review

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Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance

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Aldous Harding: Train on the Island review | Alexis Petridis's album of the week

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Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome

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Kneecap: Fenian review | Alexis Petridis's album of the week

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Serokolo 7: Maramfa Musick Pro review – lose yourself in a high-speed, relentless mapanta masterclass

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Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour

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Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence

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Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire

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Walter Smith III: Twio Vol 2 review – classic jazz is vividly alive in the hands of this incisive saxophonist

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