Music | The Guardian

The connoisseur of the crumhorn, the showman of the shawn: the brilliance of early music pioneer David Munrow

the Guardian·

‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: Bad to the Bone’s creation

the Guardian·

Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype

the Guardian·

PinkPantheress review – singer proves she’s ready for pop’s A-list at sensational New York show

the Guardian·

Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …

the Guardian·

Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring

the Guardian·

Add to playlist: the magnetic, uncanny songwriting of Frances Chang and the week’s best new tracks

the Guardian·

Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

the Guardian·

Ana Roxanne: Poem 1 review | Safi Bugel's experimental album of the month

the Guardian·

Flutes, freestyles and infectious fun: Lizzo’s greatest songs

the Guardian·

Aldous Harding: Train on the Island review | Alexis Petridis's album of the week

the Guardian·

‘The best gift mom gave me was a peaceful death’: Linda Perry on cancer, abuse and her intense documentary

the Guardian·

Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history

the Guardian·

‘In times like this, it pays to be Italian’: Mind Enterprises, the Campari-necking Italo disco revivalists who became a meme

the Guardian·

‘We got a drive-by egging in Baltimore’: Super Furry Animals on making The Man Don’t Give a Fuck

Discussed on r/indieheads

the Guardian·

You Are Here review: Danny Boyle’s postwar pop-culture tribute lets it all hang out

the Guardian·

Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour

the Guardian·

Nedra Talley Ross helped make the Ronettes the platonic ideal of a girl group

the Guardian·

Drake lost the beef and embraced the manosphere. Is it too late for him to win back his audience?

The connoisseur of the crumhorn, the showman of the shawn: the brilliance of early music pioneer David Munrow

‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: Bad to the Bone’s creation

Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype

PinkPantheress review – singer proves she’s ready for pop’s A-list at sensational New York show

Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …

Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring

Add to playlist: the magnetic, uncanny songwriting of Frances Chang and the week’s best new tracks

Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

Ana Roxanne: Poem 1 review | Safi Bugel's experimental album of the month

Flutes, freestyles and infectious fun: Lizzo’s greatest songs

Aldous Harding: Train on the Island review | Alexis Petridis's album of the week

‘The best gift mom gave me was a peaceful death’: Linda Perry on cancer, abuse and her intense documentary

Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history

‘In times like this, it pays to be Italian’: Mind Enterprises, the Campari-necking Italo disco revivalists who became a meme

‘We got a drive-by egging in Baltimore’: Super Furry Animals on making The Man Don’t Give a Fuck

You Are Here review: Danny Boyle’s postwar pop-culture tribute lets it all hang out

Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour

Nedra Talley Ross helped make the Ronettes the platonic ideal of a girl group

Dave Mason, co-founder of Traffic who had a star-studded solo career, dies aged 79