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Ali G: Who Iz I? trailer reveals return of Sacha Baron Cohen’s prank-playing rudeboy

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Rise of the Footsoldier: Retribution review – never-ending hardman-on-a-mission franchise heads to Ibiza

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‘Environmental violence’: inside the fight to save indigenous land from becoming a nuclear dumping ground

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Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty

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Zip Wire review – cable-dangle thriller is seriously slack

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Gaza documentary produced by the Guardian to receive world premiere at Venice film festival

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Post your questions for Alex Winter

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The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo

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Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos

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‘A bit like meditation’: why Saw is my feelgood movie

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Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India

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On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together

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Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd

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‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished

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Nigel Havers: ‘My biggest disappointment? Not playing James Bond’

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Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph

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David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs

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‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?

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The Odyssey becomes highest grossing R-rated film of all time

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‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie

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