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Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt

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Hen review – plucky chicken beats the odds in weirdly uplifting survival story

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Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

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The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Jeff Bezos defends Amazon’s controversial $40m Melania film as ‘a good business decision’

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Pedro Almodóvar says film-makers have a ‘moral duty’ to speak out against the far right

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Tom and Jerry: Forbidden Compass review – furry foes out of their depth in candy-coated Chinese adventure

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The Balloonists review – divas and disasters in tale of first round-the-world hot-air balloon flight

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I See Buildings Fall Like Lightning review – sweet, sad portrait of gen Z discontent and disillusion

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Charlie the Wonderdog review – pooch v puss caper beams Owen Wilson up from the wilderness

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Jack Ryan: Ghost War review – Amazon’s Tom Clancy series spawns middling movie

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Fight Like a Girl review – fiercely authentic setting lifts powerful female boxer drama

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Eek-cute: the rise of the frothy romcom sociopath

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Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

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Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

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Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness

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Star Wars: The Mandalorian and Grogu review – helmeted hero tangles with hateful Hutts in decent feature outing

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Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp

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I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag

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Queer art, bowler hats and an Annie Hall script: inside Diane Keaton’s archive as treasures go on sale

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