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‘Why not try to be the best in the world, just for the fun of it?’ Art Garfunkel on a rich, restless life – and reconciling with Paul Simon

The GuardianCovered by68 min read
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Nessun Dolore review – sketchy Roman fable of liberal white guilt

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Wild Horse Nine review: Malkovich and Rockwell head to Easter Island for McDonagh’s acid bromance

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Martin McDonagh says CIA has ‘done awful things all around the world’

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Falling House review – fierce tale of an Iranian prison guard holding his family hostage

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Tall tales: the 20 best giants in film – ranked!

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Star Trek IV: The Voyage Home review – Kirk, Spock and co on semi-intentionally hilarious save-the-whale mission

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Lomu review – fascinatingly nuanced tribute to rugby’s first superstar

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Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy

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Female film-makers still being squeezed out of industry, London film festival director says

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Rupert Murdoch ‘very happy’ that Guy Pearce plays him in Fleet Street biopic Ink

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Mayday review – Ryan Reynolds and Kenneth Branagh set cold war bromance alight

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‘He’s a good man’: George Clooney defends Mark Ruffalo in Paramount-Warner Bros merger row

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The Eyes Wide Shut conspiracy theory: did someone cut a crucial 20 minutes from Kubrick’s final movie?

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Was Paul Mescal being ‘not masculine enough’ the reason Gladiator II flopped?

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Maggie Gyllenhaal says film industry has a ‘systemic problem’ with sexism

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Fall 2: Deadpoint review – silly seat-edge sequel can’t reach heights of the original

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‘An intoxicating mix of humour, high camp and danger’: remembering Tim Curry

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‘He was always a bit of a groundbreaker’: David Bowie enters a new dimension in ‘extended reality’ documentary

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Late Fame review – Willem Dafoe superb as ever as twilight-years bohemian getting a second chance

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