Vector interviews Rachel Feder (opens in new tab)

Vector (ed. Polina Levontin): As a literary scholar, you have written both about motherhood in Frankenstein and theorised the gothic genre in Dracula, a book you edited. How does writing and ‘research as practice’ intersect in The Turn? Rachel Feder: One of my mentors in graduate school, Yopie Prins, once described herself as “promiscuous” in her scholarly interests. This … Continue reading Vector interviews Rachel Feder →