A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra (opens in new tab)

The camera soaring through the air, mimicking the gaze of a bird taking flight or even boarding a satellite orbiting the Earth, in Lisandro Alonso’s Eureka (2023) and Lucrecia Martel’s Nuestra tierra (Landmarks, 2025) indicates a shift toward the planetary. Its subject are the diverse modes of destruction and subjugation which, from one hemisphere to […]