Festivals ashore: Visual sovereignty and the urgency of Indigenous film festivals (opens in new tab)

In a lecture at the University of Auckland Film and Media Studies Department on 17 September 2002, Ngāti Apa filmmaker Barry Barclay proposed Indigenous Fourth Cinema as “a late addition to the First-Second-Third Cinema framework” of American cinema, art cinema, and “Third World” cinema, respectively.1 Indigenous Fourth Cinema, for Barclay, could not be reduced to […]