At the Venice Biennale I saw anger at Russia and Israel – and its leadership pretending everything was fine (opens in new tab)

The festival can often make you queasy, as geopolitics are played out through the proxy of art. This year it feels on the verge of collapsing in on itselfOn Tuesday, the Russian pavilion at the Venice Biennale was full of activity. Several pallets, piled high with cases of prosecco and a few boxes of good old English Gordon’s gin, had been delivered outside. Inside, Ensemble Toloka, a group of “young folk performers and professional researchers of Russian authentic music”, were singing, balal...