Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter (opens in new tab)

Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrivedGeorgian film-maker Alexandre Koberidze appeared to revive the spirit of the French New Wave with his previous film – an unhurried, meandering and garrulous movie with its own cheeky sort of low-tech magic realism as it followed its nose around the city of Kutaisi. His new film is a mystifying three-hour road movie, shot (as was his debut film Let the Summer Never Come Again) on low-res video, l...