Making a movie for A24 on 35MM film and natural light (opens in new tab)

Michael Sarnoski \(Pig, A Quiet Place: Day One\) breaks down how he and DP Pat Scola made The Death of Robin Hood for A24\. Shot on 35mm in Northern Ireland through a record-breaking windstorm, real fire instead of VFX, and a deliberate aspect ratio shift that signals the story's turn\. We get into the brutal/beautiful balance at the heart of the film, why restraint matters more than spectacle, and what it actually takes to make a scene look \"natural\.\" 0:00 Coming up 0:13 Intro: who is Mic...