When I started looking at synths again, I had a feeling I would want to record from them, and ideally not with a computer. To that end, I also bought a second-hand standalone multitrack recorder, the Zoom R8.

It’s a little desktop console with two inputs, a built-in mic, and 8 sliders for adjusting the playback of 8 (ostensibly) independent tracks. It has a USB port to interface with a computer, and features some onboard effects (delay, reverb, that kind-of thing).

Look a bit closer, and the USB port is mini-USB, which gives away its age (and I’ll never get rid of mini-USB cables, will I?). The two inputs are mono, so to capture stereo output from the minilogue-xd I need to tie up both inputs. Also, the 8 tracks are mono, so it’s more like a stereo 4-track.

The effects (what little I’ve played with them) are really pretty cool; and it’s great to apply them to a live signal. We had some fun running them over a bass guitar. However you can only use them for 44.1 kHz sample rate. If you ignore the effects the device supports 48 kHz.

I’ve ended up using it as my main USB interface on my computer; It’s great for that. The internal mic ended up being too weak to use for video calls. As a USB interface, my computer can receive the signal from the synth (and I’ve wasted more time than I care to admit trying to wrestle with the Linux audio stack to do something with that).

It can also run on batteries, which opens up the possibility of recording piano with my daughter, or field recording or suchlike.

Writing this up serves as a reminder to me of why I bought it, and I now intend to spend a little more time using it that way and stop wasting time fighting ALSA/PulseAudio/PipeWire/PortAudio/etc.