SINGAPORE – As the news of the deadly 2004 tsunami in Indonesia’s Aceh province started to trickle in, Straits Times photographer Aziz Hussin was informed to fly over to Indonesia immediately to cover the story. A flight had already been booked for him.
His journey to Aceh, however, was anything but straightforward.
After four cancelled flights, he finally landed at Medan. A 14-hour car ride then took him to Aceh – but even this had road blocks from the start.
Mr Aziz, who worked for the national paper from the 1980s to 2016, recalled that no locals wanted to take him to Aceh, as many did not dare to drive to the disaster zone. Undeterred, Mr Aziz contacted a travel agency, who linked him up the next day with eight other French journalists who wanted to travel to Aceh as well.
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SINGAPORE – As the news of the deadly 2004 tsunami in Indonesia’s Aceh province started to trickle in, Straits Times photographer Aziz Hussin was informed to fly over to Indonesia immediately to cover the story. A flight had already been booked for him.
His journey to Aceh, however, was anything but straightforward.
After four cancelled flights, he finally landed at Medan. A 14-hour car ride then took him to Aceh – but even this had road blocks from the start.
Mr Aziz, who worked for the national paper from the 1980s to 2016, recalled that no locals wanted to take him to Aceh, as many did not dare to drive to the disaster zone. Undeterred, Mr Aziz contacted a travel agency, who linked him up the next day with eight other French journalists who wanted to travel to Aceh as well.
During the long drive, he had run-ins with Members of The Free Aceh Movement, a separatist group that sought independence for Aceh. Carrying M16 assault rifles, they stopped them at the Aceh border and demanded money.
Speaking in their native tongue, he managed to bargain their asking price down by half.
After two days on the road, he managed to snap what ended up being the most memorable photo of his career, which depicts locals walking about debris surrounded by a large pool of water.
Former ST photographer Aziz Hussin with his photograph depicting the aftermath of the 2004 tsunami in Aceh, which is on display at the Singapore Stories: The Heart Of A Nation photo exhibition that opened on Nov 7.
ST PHOTO: BRIAN TEO
This is just one of more than 250 images taken by about 60 different past and present ST photojournalists featured at a new photo exhibition co-organised by The Straits Times, as part of its 180th anniversary initiative, and The Photographic Society Singapore (PSS).
The exhibition at the Selegie Arts Centre, titled
Singapore Stories: The Heart Of A Nation
, spans the Prinsep Gallery on the first floor and the Loke Wan Tho Gallery on the third floor.
It is divided into three categories: The Early Years, The Birth of A Nation, and From Third World to First, offering a visual chronicle of the nation’s evolution from a British colony to the independent city-state it is today, in addition to historical events, societal shifts and everyday life,
ST editor Jaime Ho said at the launch on Nov 7 that the photo exhibition aims to inspire interest and curiosity across all segments of Singapore society.
SPH Media CEO Chan Yeng Kit (second from right) presenting a token of appreciation to Acting Minister for Culture, Community and Youth David Neo (third from right) at the opening of Singapore Stories: The Heart Of A Nation. With them are (from left) Editor-in-chief of SPH Media’s English/Malay/Tamil Media group Wong Wei Kong, The Photographic Society of Singapore chairman Tan Soo Nan, former national development minister Mah Bow Tan and ST editor Jaime Ho.
ST PHOTO: BRIAN TEO
About 80 guests attended the event, which proved to be a big reunion for many former ST photojournalists, Mr Aziz included.
The 72-year-old said looking at his past works at the exhibition brought back many fond memories. He also reconnected with many of his old colleagues for the first time since his retirement.
Speaking at the event, Acting Minister for Culture, Community and Youth David Neo said: “Capturing key moments of Singapore’s history is vital to preserving our collective memory and identity.”
He expressed his appreciation to the photojournalists at the event for their role as visual historians.
“From the challenges we’ve overcome together post-independence, to moments of national celebration and times of collective reflection, your lenses have captured for posterity the emotions, the struggles, and the triumphs that have made us who we are today,” said Mr Neo.
“Your photos are a visual legacy that future generations can look back on.”
(From left) ST photojournalist Mark Cheong sharing insights about some of his photos on display at the exhibition with Acting Minister for Culture, Community and Youth David Neo and ST editor Jaime Ho.
ST PHOTO: BRIAN TEO
Mr Aziz was one such intrepid photographer who would press ahead in the face of danger to take a good photo.
He recalled how he was driving through a town in Aceh when chaos erupted. “People were screaming and running left and right – they thought that a tsunami was coming again,” he said.
Mr Aziz was on a call with his boss when it happened. “I threw my satellite phone away to take photos of the crowd. My boss thought something happened to me.”
Even though he thought he was going to die, Mr Aziz headed straight ahead, against the crowd, to take pictures. It turned out to be a false alarm.
“They sent me to take photos, I had to file the pictures in time,” he said, when asked why he continued straight ahead despite the danger.
Former ST photographer Aziz Hussin taking photos of the aftermath of the 2004 Indian Ocean earthquake and tsunami in Aceh.
PHOTO: COURTESY OF AZIZ HUSSIN
Meanwhile, ST executive photojournalist Lim Yaohui is a nature enthusiast who volunteers to cover stories related to the environment.
A former horticulturist at Singapore Botanics Gardens, Mr Lim joined ST first as a freelancer in May 2012, before becoming a full-time photojournalist in January 2016.
One of his favourite photos is of Inuka – the first polar bear born in the tropics and was a Singapore Zoo mascot – that he took on April 19, 2018.
“The photograph I shot of him looking out into the light was quite meaningful for me because it was his last few days before being put down,” said Mr Lim, who added Inuka was the last polar bear that Singaporeans will see in Singapore Zoo, according to Wildlife Reserves Singapore.
Mr Lim also frequently utilises drones to capture photographs from a new perspective.
For instance, Mr Lim utilised drones to get an aerial view of The Supertree Observatory at Gardens by the Bay on Dec 27, 2019, the opening day of the observatory.
ST executive photojournalist Lim Yaohui utilised drones to get an aerial view of The Supertree Observatory at Gardens by the Bay on Dec 27, 2019, the opening day of the observatory.
ST PHOTO: LIM YAOHUI
“I had the idea to get an aerial view of the Observatory as there are solar panels on top and it will be quite visually appealing with the Singapore skyline as well,” Mr Lim said.
The end product were aerial shots of supertrees surrounding the Supertree Observatory.
“(By using drones), we can look out for patterns, geometry and sense of scale from a top-down perspective which we cannot normally see from the ground,” Mr Lim said.
To fly a drone over Gardens by the Bay, Mr Lim needed to submit documents like a flight plan and an invitation letter from Gardens by the Bay.
It took him 13 days to obtain the activity permit, and he even had to call Republic of Singapore Air Force (RSAF) 203 Squadron Duty Controller to get clearance at least 15 minutes prior to the flight and again at completion of flight.
ST executive photojournalist Lim Yaohui with some of his photos on display at Singapore Stories: The Heart Of A Nation.
ST PHOTO: BRIAN TEO
The use of drones is just one example of how The Straits Times photo desk has evolved by embracing new technology.
From 360-degree visuals to interactive digital formats and fast digital delivery, the ST photo desk continues to innovate to produce compelling and timely visuals that keep pace with the times.
Those that wish to learn more about how digital technology has transformed photojournalism and the evolving role of photographers in today’s newsroom can sign up for a talk by ST’s chief photojournalist Kevin Lim and photojournalist Ong Wee Jin on Nov 22 at the exhibition centre.
ST’s chief photojournalist Kevin Lim (right) sharing insights about his iconic photograph of US President Donald Trump and North Korean leader Kim Jong Un, taken during their 2018 summit in Singapore, with Acting Minister for Culture, Community and Youth David Neo.
ST PHOTO: BRIAN TEO
ST photojournalists Mark Cheong and Brian Teo will discuss the topic of finding Singapore stories at another session, on Nov 15.
Those interested can sign up for the talks at
https://contest.sph.com.sg/campaigns/photojournalism-talk
As part of ST’s 180th anniversary initiative and SG60 celebration, the photo exhibition also features an interactive device that enables visitors to look at how the landscape of Singapore has developed over the years.
The exhibition will run till Nov 23, from 11am to 7pm, at the Selegie Arts Centre. Admission is free.
Partners of the exhibition are Canon Singapore, Singapore Press Club and Temasek Foundation.